
Benoît Poelvoorde
Filmography

The Brand New Testament
Comedy Fantasy Satire Supernatural Fantasy2015•1h 54min
Luxembourg, Belgium
Director: Jaco Van Dormael
God lives in Brussels. On Earth though, God is a coward, morally pathetic and odious to his family. His daughter, Ea, is bored at home and can't stand being locked up in a small apartment in ordinary Brussels, until the day she decides to revolt against her dad...

Romantics Anonymous
Drama Comedy Romance Romantic Comedy Awkward Comedy2010•1h 20min
Belgium, France
Director: Jean-Pierre Améris
What happens when a man and a woman share a common passion? They fall in love. And this is what happens to Jean-René, the boss of a small chocolate factory, and Angélique, a gifted chocolate maker he has just hired. What occurs when a highly emotional man meets a highly emotional woman? They fall in love, and this is what occurs to Jean-René and Angélique who share the same handicap. But being pathologically timid does not make things easy for them. So whether they will manage to get together, join their solitudes and live happily ever after is a guessing matter.

Coco Before Chanel
Drama History Historical Drama Biographical History2009•1h 50min
Belgium, France
Director: Anne Fontaine
Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.
Bernand Fréderic is a mediocre bank executive. He's married and has a son. He used to have another profession: being French star Claude Francois. Now, with the Imitators Gala Night coming up, he must choose between his wife or the only thing that makes him happy: the applause.
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.




